The Tender Land

  • Thursday JULY 5 8:30 PM
  • Sunday JULY 8 8:30 PM
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The Promise of Living

Aaron Copland's The Tender Land is a vivid portrait of the rural Midwest, youthful spirit and the American dream come to life. The beautiful story depicts the lives of Laurie, her family and two migrant workers in a quintessential coming of age story set during the Great Depression. The score is cut from the same cloth as that of Appalachian Spring - the melodic, folkish music that defines Copland.

Utilizing the gorgeous vistas of a rural Iowa landscape at sunset as a backdrop, this production will be presented outdoors and in partnership with the Maytag Dairy Farms in Newton, Iowa. Tickets on sale now for season subscribers.

Presented as part of DMMO's 2nd Stages Series

 

MUSIC BY
Aaron Copland

LIBRETTO BY
Horace Everett (Erik Johns)

PREMIERED
1 April 1954
New York City Opera

SUNG IN
English

COMPANY PREMIERE

Creative/Cast

Grace Kahl Laurie Moss View Website
Remy Martin Martin
Harry Greenleaf Top
Lindsay Brown Ma Moss
Octavio Cardenas Director View Website
Adam Crinson Scenic Designer View Website

Synopsis

Act 1

Laurie, the high-school senior daughter of the Moss family, is on the brink of graduating from high school. At the start of the opera, Beth, Laurie's sister, is dancing by herself, and Ma Moss, Laurie and Beth's mother, is sewing. The postman, Mr. Splinters, delivers a package with Laurie's graduation dress. He also brings gossip about a neighbor's daughter being frightened by two strangers to the area. Ma Moss and Grandpa Moss are worried about this. Two itinerant workers, Top and Martin, arrive on the scene. After initial suspicion, Grandpa Moss agrees to hire Top and Martin to help out with the harvest. Laurie and Martin meet, and feel sympathy for each other. Top asks for Martin's help later in getting Grandpa Moss drunk at the party that night.

Act 2

The party to celebrate Laurie's graduation is going on. Everyone has eaten well, and Laurie acknowledges the guests' well wishes to her. The dance begins. Ma Moss thinks that Top and Martin are the two strangers reported to be causing trouble in the area, and tells Mr. Splinters, who goes to tell the local sheriff. As the dance proceeds, Grandpa Moss becomes more drunk. Laurie and Martin are now in love, and they kiss at one moment. Grandpa Moss sees this and becomes angry. Top tells Martin that they should leave, but the sheriff arrives with the news that the two strangers causing the local disturbances have been caught. Even though Top and Martin have been proven innocent, Grandpa Moss says that they have to leave in the morning.

Act 3

Later that night, Laurie and Martin dream of eloping. However, Martin changes his mind, with the counsel of Top in the background advising that such a situation would cause great trouble for them all. During the night, while Laurie is packing, Top and Martin secretly leave. Laurie is left alone, but then suddenly resolves to leave home and make her own way in the world. Ma Moss and Beth try to change Laurie's mind, but she is determined to move on. Ma Moss accepts this eventually. The opera ends as Laurie leaves, with Beth dancing by herself as she did at the beginning.

The Music

Virgil Thomson once called Aaron Copland “the dean of American music,” a status confirmed by the worldwide celebration of Copland's centennial in 2000. Even his less familiar works received overdue attention, perhaps his opera The Tender Land most of all. As Copland's last work in his American populist style, The Tender Land offers an accessible music setting of a simple coming-of-age story. Its modest production requirements attracted many smaller opera theatres, especially in colleges and universities, to present the work as their contribution to the Copland centenary. Consequently, a generation of operatic artists will have cut their teeth on it. Copland, whose lifelong passion for teaching was an organic extension of his music, would surely have been pleased by the life his opera has found.