• Saturday JULY 6 7:30 PM
  • Sunday JULY 14 2:00 PM
  • Tuesday JULY 16 7:30 PM
  • Friday JULY 19 7:30 PM

The Opera That Changed Everything

The quintessential “modern” opera, Wozzeck still hasn’t lost its bite. Alban Berg’s masterpiece combines music of intense emotional power with a profoundly dramatic story. Berated by his captain and overcome by jealousy, Wozzeck tries to make sense of his fragmented, dreamlike mental state with disastrous results. Nearly 100 years after its premiere, Wozzeck still sounds dramatically modern. But the style that shocked listeners in 1925 sounds seamlessly natural today, so perfectly suited to character and incident that the drama and its soundtrack unfold together with utter clarity. 

This new production is made possible through a generous leadership gift from Nix and Virginia Lauridsen.

Alban Berg

Alban Berg, after a play by Georg Büchner

14 December 1925

German (with English supertitles)


*The opera will be performed without an intermission and is approximately 98 minutes long*


Michael Mayes Wozzeck View Website
Sara Gartland Marie View Website
Zachary James Doctor View Website
Robert Watson Drum Major View Website
Corey Bix Captain View Website
Gregory Warren Andres View Website
Zoie Reams Margret View Website
Corey Trahan The Fool View Website
David Neely Conductor View Website
Kristine McIntyre Director View Website
Vita Tzykun Scenic and Costume Designer View Website
Kate Ashton Lighting Designer View Website
Lisa A. Thurrell Choreographer View Website
Gina Cerimele-Mechley Fight Director View Website
Brittany Crinson Wig and Makeup Designer


Act I

The soldier Wozzeck is shaving his Captain, who alleviates his fears about his own mortality by teasing Wozzeck about his illegitimate child. Wozzeck maintains that poor people cannot afford morality and defends himself by quoting the Bible. Later, while cutting wood with his friend Andres, Wozzeck finds himself tormented by strange visions. Marie - the mother of Wozzeck's child - notices a Drum Major from the local military band who passes by her window and admires her. Wozzeck arrives, wanting to share his visions with Marie, but cannot bring himself to stay with her or even look at the child. To earn more money, Wozzeck submits himself to the Doctor's bizarre medical experiments. Meanwhile, tempted by the advances of the Drum Major, Marie yields to her impulses.

Act II

In Marie’s room, Wozzeck asks her about some new earrings she has. Unwilling to admit that they were a gift from the Drum Major, she says she found them in the street. But after Wozzeck’s departure, Marie feels guilt for her lie. The Captain and the Doctor interrupt their dark conversation to goad Wozzeck about Marie’s behavior. Wozzeck confronts her, trying to force an admission of infidelity. When he sees her dancing with the Drum Major at the beer garden, he is overcome with rage. Later, the Drum Major mocks Wozzeck and beats him.


Marie reads a Bible passage about Mary Magdalene. Later, walking with her by a pond, Wozzeck accuses Marie of infidelity. When Marie tries to flee, he stabs her. Townspeople see the blood on his hands. Out of his mind, Wozzeck returns to the pond to hide his knife and wash his hands in the water. Passing nearby, the Captain and the Doctor hear him drown. Outside the house, Marie's child plays with his hobby horse. Soon neighborhood children tease him about his mother's death and run off to see her body.

The Music

"A Guide to Alban Berg’s Opera Wozzeck" by Dr. Willi Reich

"No contemporary opera has been more thoroughly debated than Alban Berg’s Wozzeck. The appearance of the piano-score in 1923 incited controversies which became passionately intense upon the occasion of the Berlin premiere. Even though we may be able today to reduce that early conflict of opinion to its proper proportions, the unprecedented intensity of expression in Wozzeck continues to present many problems to an unprepared audience; problems that, however, have no influence at all upon the tremendous final effect which this setting of Buchner’s drama produces on every unprejudiced listener."