
Bluebeard's Castle
Bluebeard's Castle
The mysterious Bluebeard welcomes his new bride Judith into his ominous castle, where rumors have been swirling concerning one question: what happened to his previous three wives? Shrouded in the secrecy of seven forbidden rooms, Judith desperately tries to uncover the terrifying secrets that Bluebeard had hoped to keep locked away forever.
Utilizing the cutting-edge visual technology now in use by Hollywood studios for shows such as The Mandalorian and Westworld, this new production brings Bluebeard’s Castle to life through the world’s most advanced real-time 3D creation tool—Unreal. Internationally acclaimed filmmaker, visual composer and Des Moines resident, Oyoram, along with director Kristine McIntyre and scenic designer Luke Cantarella, will create a truly immersive theatrical experience where audiences can finally experience in vivid detail the treasures and terror lurking behind Bluebeard’s seven locked doors.
Bass-baritone Christian Van Horn makes his DMMO and role debut as Duke Bluebeard and soprano Sara Gartland returns as Judith, with Maestro David Neely leading the DMMO Festival Orchestra. With its immense, cinematic score, Bartók’s psychological opera-thriller will leave you entranced as Judith reveals, door-by-door, Bluebeard’s dark past.
Want to learn more? Listen to the Bluebeard episode of DMMO's official OVERTURES Podcast, hosted and produced by Lecturer-in-Residence Joshua Borths. Listen here >
MUSIC BY
Béla Bartók
LIBRETTO BY
Béla Balázs
BASED ON
Barbe bleue by Charles Perrault
PREMIERED
24 May 1918
Hungarian Royal Opera House, Budapest
SUNG IN
Hungarian (with English subtitles)
ESTIMATED RUN TIME
60 minutes without intermission
COMPANY PREMIERE
The Music
Béla Bartók began performing at the age of 11. His first compositions revealed the influence of Liszt, Brahms and Strauss, but most of his inspiration came from exploring national folk music. This included Hungarian folk but also other ethnic rhythms that he discovered while travelling through his native Transylvania. His hometown is now part of Romania. Using folk elements and traditional techniques, Bartók achieved an original modern style that has had a great impact on 20th-century music.
The Synopsis
Before the music begins, the Prologue invites the audience to experience an old tale but asks, is the stage outside, or within?
In near darkness, the new bride Judith makes her way slowly down the stairs into her husband's castle. Bluebeard worries that she is afraid and regrets her decision to marry him, but Judith assures him of her love. Emerging into the hall of the castle, Judith discovers a space that is as mysterious and full of secrets as her new husband. Undeterred by its weeping walls and strange sounds, Judith asserts that her love will transform the cold, dark castle. When she sees seven locked doors before her, Judith asks that they be opened to let in the sunlight and fresh air. Bluebeard refuses, but Judith is persistent and believes that her love will bring warmth not only to the castle but also to Bluebeard himself. He soon relents and gives her the key to the first door.
Red light illuminates the space as Judith opens and discovers Bluebeard's torture chamber. Judith soon sees that the walls themselves are bleeding. Bluebeard asks her if she is afraid. Judith says she is not and dances in the red light. Convinced that she must share all his secrets, she tells Bluebeard that she loves him and that they must open all the doors together. He agrees and gives her the second key.
Despite her growing fears, Judith opens the second door to reveal Bluebeard's armory, filled with terrible instruments of war. Again, Bluebeard asks if she is afraid and again Judith says that she is not and that she loves him. Bluebeard gives her three more keys and says that she may look her fill but must ask no questions. He encourages her to open quickly and she soon sees that the third chamber is his treasury, filled with gold and jewels. It is all yours, he says. But for the third time, Judith sees blood, here on the very jewels themselves. Aware of Judith's growing anxiety, Bluebeard tells her to open the fourth door and let in the sunshine.
Behind the fourth door, Judith discovers a magnificent secret garden is revealed. She is amazed by the beauty and size of the flowers which seem to respond to her presence, but soon she sees that they, too, are stained with blood. Who has bled to feed your garden, she asks, but gets no reply. Instead, Bluebeard urges her to open the fifth door. To a huge swell in the orchestra, Bluebeard's vast domains are revealed. Judith is left breathless by the view but her anxiety returns as the clouds turn the color of blood. Despite Bluebeard's attempts to distract her, Judith is firm in her resolve to reveal all the castle's - and Bluebeard's - secrets. She demands that the final two doors be opened.
Taking the sixth key, Judith opens the door to discover a lake of tears, a solemn and melancholy place in which Judith senses the presence of Bluebeard's murdered wives. Bluebeard rebuffs Judith's questions about his past and insists that the last door must remain closed forever. But convinced that she knows what lies behind it, Judith demands the seventh key. From this last chamber, three wives emerge, beautifully dressed. Bluebeard exults as he describes them as embodying the morning, noon, and twilight. It is clear that he intends for Judith to join their ranks - as the fourth wife, she will represent midnight, eternal darkness. Judith pleads with him to spare her, but Bluebeard simply envelops her in a heavy robe and crown, saying she is the most beautiful of all the wives in his collection.