The Magic Flute

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The Magic Flute

Leadership funding provided by Nix and Virginia Lauridsen/Lauridsen Family Foundation

Prepare to be astonished as Mozart meets the movies in this inventive and dazzling celebration of true love conquering all. This charming interpretation of Mozart’s most famous opera puts the singers in front of a huge screen, interacting in real time with animations projected all around them, creating the impression that gigantic comic, cartoons, and folk art is coming to life right before your eyes! The fable centers around noble Prince Tamino and bird catcher Papageno’s quest to rescue Pamina, the Queen of the Night’s daughter. During their journey the two are tested as they overcome evil to discover the truth.

MUSIC BY
Wolfgang Amadeus Mozart

LIBRETTO BY
Emanuel Schikaneder

PREMIERED
30 September 1791 in Vienna

SUNG IN
German (with English supertitles)

PREVIOUS PRODUCTIONS
1975, 1988, 2006

A production of the Komische Oper Berlin
Co-produced by Los Angeles Opera and Minnesota Opera
Photo by Iko Freese

The Artists

Aaron Blake Tamino
Raven McMillon Pamina
Audrey Luna The Queen of the Night
Andrew Wilkowske Papageno
Denis VĂ©lez Papagena
Christian Zaremba Sarastro
Mathilda Edge First Lady
Sun-Ly Pierce Second Lady
Kathleen Felty Third Lady
John Robert Lindsey Monostatos
Christopher Allen Conductor
Erik Friedman Revival Director
Barrie Kosky Original Co-Director
Suzanne Andrade Original Co-Director
Paul Barritt Animation

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The Music

Whilst unmistakably classical, The Magic Flute's arias, duets and ensembles are each unique in style. As well as painting a vivid picture of each character, the music reflects the skills and abilities of the original performers back in 1791.

The rustic character of Papageno has folksong-like arias built of simple melodies, whilst Sarastro's music is deep, stately and almost hymn-like, reflecting his character as a spiritual leader. The lyrical arias of Tamino are more romantic in style (as befitting a prince) and look forward to the Italian bel canto era, while the music for the Armed Men harks back to the more regimented baroque era with its use of fugues.

Most famously, the Queen of the Night's Act II aria, sung in rage as she orders daughter Pamina to kill Sarastro, is full of virtuosic vocal fireworks and peppered with rare high Fs. The role was written especially for Mozart’s sister-in-law, who had a stratospheric range!

Synopsis

ACT I

In a dark forest, far away…
As he flees from a monstrous serpent, Tamino is rescued at the last second by three ladies who serve the Queen of the Night. When he regains consciousness, the first person Tamino sees is Papageno, so Tamino believes him to be his rescuer.

Papageno, a bird catcher in search of love, does nothing to dispel the misunderstanding. The three ladies punish Papageno for this lie by rendering him mute. They show Tamino a picture of Pamina, the Queen’s daughter. Tamino instantly falls in love with Pamina.

The Queen of the Night now appears.  She tells Tamino about her daughter’s kidnapping at the hands of the evil sorcerer Sarastro. Tamino eagerly agrees to her command that he rescue Pamina. The three ladies give Papageno back his voice and instruct him to accompany Tamino. As a protection against danger, they give Tamino a magic flute, while Papageno receives magic bells, and three spirits will show Tamino and Papageno the way to Sarastro.

Pamina is tormented by Sarastro’s enslaved servant Monostatos, but she is saved when Papageno wanders in, having become separated from Tamino. Both Papageno and Monostatos are frightened by each other. Left alone with Pamina, Papageno announces that her rescuer Tamino will soon arrive. Papageno admits that his own search for love has sadly proved fruitless so far, and Pamina comforts him.

The three spirits lead Tamino to the gates of Sarastro’s domain. He learns that the Queen is really the evil one, and the good Sarastro was merely trying to get Pamina away from her mother’s dark influence. Overjoyed to learn that Pamina is still alive, Tamino plays on his magic flute, enchanting nature with his music.

Papageno and Pamina try to flee, but they are caught by Monostatos and his helpers.

Papageno’s magic bells soon put their pursuers out of action. Sarastro and his retinue then enter upon the scene. Monostatos leads in Tamino; Sarastro punishes Monostatos for tormenting Pamina. The long awaited encounter between Tamino and Pamina is all too brief; Sarastro orders that they must now face a series of trials. 

ACT II

The trial of silence
Tamino and Papageno must practice being silent. When the three ladies appear and attempt to persuade them to abandon their quest, the trial becomes truly difficult. Tamino remains silent and resolute, while Papageno immediately begins to chatter.

Meanwhile, Monostatos again tries to get close to the sleeping Pamina. The Queen of the Night appears and orders her daughter to kill Sarastro. Pamina remains behind, despairing. Sarastro seeks to console Pamina by forswearing any thoughts of revenge. 

The trial of temptation
Tamino and Papageno must resist all temptations. As well as the magic flute and magic bells, the three spirits bring Tamino and Papageno food, which Tamino once again steadfastly resists. Even the arrival of Pamina fails to draw a single word from Tamino’s lips, which she interprets as a rejection. She laments the cooling of Tamino’s love for her.

Before the last trial, Pamina and Tamino are brought together one last time to say farewell to one another. Papageno is not permitted to take part in any further trials. He now wishes only for a glass of wine—and he dreams of his great love.

Pamina believes that she has lost Tamino forever. In her despair, she seeks to end her own life, but is prevented from doing so by the three spirits, who assure her that Tamino still loves her. Gladdened and relieved, Pamina accepts their invitation to see Tamino again. Reunited at last, Tamino and Pamina undergo the final trial together. Pamina suggests that Tamino play the magic flute to provide them with protection.

The trial of fire and water
The music of the magic flute and their love for one another allow Tamino and Pamina to conquer their own fear and overcome the dangers of fire and water.

Papageno is still unsuccessful in his search for the perfect mate. Despairing, he now also seeks to end his life, but is prevented from doing so by the three spirits. Papageno’s dream finally comes true: together with the beautiful Papagena, he dreams of being blessed with many children.

Meanwhile…
…the Queen of the Night, the three ladies and the turncoat Monostatos arm themselves for an attack against Sarastro and his retinue. However, their attack is repelled. Tamino and Pamina have reached the end of their trials, and can finally be together.