• Saturday JULY 10 8:00 PM
  • Thursday JULY 15 7:30 PM
  • Sunday JULY 18 2:00 PM
  • Friday JULY 23 7:30 PM

A folly of vanity

A new production made possible by a leadership gift from Frank R. Brownell III
Costume design made possible by a gift from Jim and Ellen Hubbell

The vain Platée thinks every man who comes near her will instantly fall in love—and once she's convinced the god Jupiter has fallen victim to her charms, her narcissism grows to Olympus-sized proportions! Rameau's French Baroque masterpiece features tenor Taylor Stayton (pictured above) who offers up Hollywood glamour and feminine allure in this cheeky adult comedy. 

Written for a royal wedding at Versailles, Platée rivals the famed palace’s architectural exuberance. Above it all is a celebration of Rameau’s incredibly fertile imagination for vocal and instrumental wit and characterization. DMMO presents this company premiere and first foray into French Baroque music in a new production led by conductor Gary Thor Wedow and directed by Chas Rader-Shieber. Tenor Taylor Stayton dons corset and high-heels to sing the vain title character while bass Scott Conner and mezzo Zoie Reams return to sing role debuts as Jupiter and Juno, respectively. Soprano Elizabeth Sutphen makes her DMMO and role debut as La Folie, tenor Jonas Hacker makes his debut as Mercury, baritone Alexander Birch Elliott returns to sing Momus, and bass Alex Rosen and baritone Benjamin Taylor make their DMMO debuts as Citheron and Satyre, respectively.

Sunday, July 18 - SOLD OUT
Friday, July 23 - SOLD OUT

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Listen to the Platée Podcast with Joshua Borths >

Jean-Philippe Rameau

Adrien-Joseph Le Valois d'Orville

31 March 1745
Grande Écurie, Versailles

French (with English translations)


The Artists

Taylor Stayton Platée View Website
Elizabeth Sutphen La Folie View Website
Scott Conner Jupiter View Website
Zoie Reams Juno View Website
Alexander Birch Elliott Momus View Website
Jonas Hacker Mercury View Website
Alex Rosen Citheron View Website
Benjamin Taylor Satyre View Website
Cadie J. Bryan Clarine View Website
Camille Sherman Thalie View Website
Véronique Filloux L'amour View Website
James Stevens Thespis
Gary Thor Wedow Conductor View Website
Chas Rader-Shieber Director View Website
Jacob A. Climer Scenic and Costume Design View Website
Nate Wheatley Lighting Design View Website
Isaac Lerner Choreography



After a drunken night of celebration, Thespis (the inventor of Greek drama) plots with Momus (God of Ridicule), Thalie (Muse of Comedy), and Amour (the God of Love) to teach a lesson to both mortals and gods.

Act I

As storm clouds threaten, Mercure (the messenger of the Gods) comes down from the heavens to explain to the local King Cithéron, that Junon (Jupiter’s wife) is jealous, and that Jupiter (king of the Gods) has sent them to enact the plan of the four Prologue conspirators. Jupiter will pretend to fall in love with the vain water-nymph Platée, and when Junon finds them together about to marry, she will realize her jealousy is baseless. Platée arrives, and mistakenly believes that it is King Cithéron who loves her. She is delighted to hear from Mercure that it is Jupiter himself who will soon declare his love for her. Regardless of Junon’s storms, Platée is ecstatic, knowing that she will finally get the man she believes she deserves.

Act II

Mercure, having sent Junon off to Athens to seek out her husband and his new lover, now hides with King Cithéron, to observe Jupiter’s seduction of Platée. Jupiter appears to Platée in various disguises, but ultimately in his godlike form, impressing the terrified but enamored nymph. Jupiter commands Momus to prepare the marriage celebration. La Folie (the personification of madness and delight) leads the festivities, with song, dance, and general hilarity.


A furious Junon returns from Athens, bent on revenge, but Mercure persuades her to hide in waiting until the right moment. Platée arrives for the wedding, just as Momus appears poorly disguised as Amour. She rejects him, and La Folie suggests a different entertainment in anticipation of the solemn ceremony: a dance of the Three Graces admonishes Platée to see her behavior in a new light, but she finds it boring, and wants only to be married. Just as Jupiter is about to pledge himself to the nymph, Junon appears in a rage. As she runs to see who is beneath the wedding veil, Platée is revealed in all her vain and ambitious glory. Junon sees the foolishness of her misplaced jealousy, and ascends to the heavens with Jupiter, as everyone mocks Platée for her vanity, the cruel ego that is her downfall.

The Music

Rameau's colorful ballet "buffon" made a splash at its premiere at Versailles in 1745, and now the marsh nymph prepares to make her debut on DMMO's mainstage.

It’s strange to imagine how an opera that is primarily an exercise in comeuppance was commissioned for a wedding celebration. Platée was composed for the nuptials of the famously imperious Spanish princess Maria Theresa at Versailles in 1745. The plot hinges on the behavior and antics of Platée, a vain marsh nymph who finds herself at the center of an elaborate joke devised by Jupiter and other gods to cure his own wife Juno of her jealousy.

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